DSC_5059“Founded by bassist Peat Rains in 2010, YBR? feature 8-string bass, cello, glockenspiel, and drums. An all-instrumental orchestration, the ensemble curates a unique sound that caters to audiences ranging from film-makers, circus performers, prog/metal/rock/classical music fans to thousands of passersby in the subway stations.”

Bass Player Magazine

“You Bred Raptors? have a lot working in their favor to make them stand out from most other bands. What’s so special? This Astoria, Queens trio (check #1: not from Brooklyn) plays instrumental music (check #2), wears an array of bizarre masks when they perform (check #3), and has made a name for themselves by holding down a coveted spot in the NYC subways with the Music Under New York Program (check #4). Oh, and their instrumentation is an 8 string bass, cello, drums, and glockenspiels (checks #5–8). The result of all these unique traits is beautiful, strange, and challenging music that makes people stop, look, and listen long enough to get hooked on their prehistoric pop grooves (oh yeah, and check #9: their name is from Jurassic Park).”

Invisible Oranges

“Opening the bill with variance and charm was NYC-based experimental trio You Bred Raptors?. The progressive and theatrical group honed its skills for years in the city’s underworld universe, busking in the subway tunnels (you’ve probably seen them shredding Union Square). There’s a nostalgic, vaudevillian quality to the band’s propulsion. Different masks are donned for each song, and along with a very strong current of classical composition, you can point to Primus, Mahavishnu Orchestra, and Harry Houdini as inspirations. Bassist Peter Rains is a unique force. As the messenger of the group, his humor is twofold: ironic and finicky as the band moves from song to song. The trio got particularly heavy this time, paying homage to their celestial surroundings.

Bass Player Magazine

“Founded by bassist Peat Rains in 2010, YBR? feature 8-string bass, cello, glockenspiel, and drums. An all-instrumental orchestration, the ensemble curates a unique sound that caters to audiences ranging from film-makers, circus performers, prog/metal/rock/classical music fans to thousands of passersby in the subway stations.”

“Above ground, one enthusiastic listener at Grand Central Station recently gave $100 to “You Bred Raptors?”. He also bought some CDs, which he shared with fellow straphangers. The music rocked.”

“Bryan Wilson has played plenty of beat venues, from subway stations to a high concept haunted house. But ask the New Jersey cellist – who plays with the band You Bred Raptors? – to name his strangest gig and he doesn’t hesitate to cite a Mexican restaurant’s Christmas party.”

“If you want to hear original songwriters plying their craft in the Big Apple, you need to go past Tin Pan Alley and head underground. You Bred Raptors plays down there along with other outstanding, unique NYC musical talents. Their original flavor as heard in their new release “Grant”, succeeds in taking your musical tastes on an unusual journey where the familiar is transformed before your very ears.”

“Assuredly, the lovers of strange, experimental, atmospheric, imaginative and instrumental music will revel in this alum and the band in general. Next time you happen upon the masked men of NYC, stay a little longer, enjoy the moment and even get their album, not only to support the band, but also to give yourself the chance to listen to something out of the ordinary, but so enchanting and artistic…”

“The band has several different personas they put on with their masks – ranging from venetian style covers to swat team masks or Mexican wrestler masks.”

“…their weird experimental fantasies for 8-string bass, cello and drums worked a treat on the Living Room crowd, and once you leave out ‘people-watching’ (which is a little too tempting during their subway shows) and the uncanniness of the whole masks shtick, there’s a lot more to be amazed by in the different uses of the bass strings, or the complex, in times delirious articulations around the ‘somewhat familiar’…”

“You Bred Raptors? is another amazing reason why the NYC subway has been elevated to a status above that of being a mere transportation artery.”

“Is string-rock a genre? Maybe it is now, New York band You Bred Raptors? mix alternative rock, heavy rock and classical music to wonderful effect, in some parts like Mogwai and in others like Dvorak with some dark thudding bass to give you something very unique.”

“Named after a quote from Jurassic Park, You Bred Raptors? is a trio that does things differently. Musically it features cello, drums and a knockout 8-string bass played by Peat Rains. The band stands out even further by performing with an array of bizarres masks on.”

“The band’s sound shares similarities with quite a few big-time touring and festival acts, but another artist who Rains thinks the band is fairly similar to is film score composer Hans Zimmer. Both Zimmer and YBR? create highly dramatic music incorporating orchestral instruments. They both also score films, Zimmer, however, is world-renowned for films like Batman Begins, and YBR? is just getting started as they prepare to score the Troma film series.”

“One of the band’s major accomplishments is their ability to tackle challenging harmonic relationships and to weave in relentless percussion with classical sophistication—the latter largely due to Wilson’s talent on the cello. His haunting accompaniments hover over Rains’ melodies (it’s enough to foster a whole new appreciate for Yo-Yo Ma.) Rains matches Wilson with full control over his 8-string bass–moving from bass thump strumming to advanced fret taps and string bends. The dynamic complexity of their music gives form to the concept of light and shade, and all is held together by Bradley on drums. Using just a two-piece kit (with a hi hat and a ride cymbal), he swings imaginatively from a tight disco beat, to slam and crash, to the soft pace of a sonata.”

“Brainy, mellifluous, and a little twisted instrumentals. Egghead rockers Eplileptic Peat (real name Peter Rains/eight-string bass) and Zach Schmidlein (drums), who named themselves after a line in Jurassic Park.”

“On paper, there is absolutely nothing to like about these guys. 8 string bass, cello, drums and shared glockenspiel responsibilities. A fucking question mark in the name. However, I’ve seen them twice (once inadvertently on a Subway platform) and can attest to the fact that their experimental masked prog funk expansion on neo classicism is definitely worth more than a grumpy rush hour introduction. It’s honestly interesting everyday music than runs style gamuts around the pedestrian eclectics people are always raving about because, at it’s core, it wants to make sense and – when given the proper setting and patience – totally fucking does.”

“Meet Peat Rains, AKA “Epileptic Peat”, who pushes the envelope in just about every way. (You’ll have to read on to find out what I mean). And if you see him at a live show, he’ll even give you his drink tickets.”

“You bred raptors?” The incredulous scientist from Jurassic Park provides the NY-based post-rock trio (cello, electric bass, drums) with its name. You Bred Raptors?’s (wow, that’s a weird punctuation) debut CD is called Hammond.”

“Some of our all time favorites are fellow members of the Music Under New York program run by the MTA. We love “The Saw Lady” Natalia Paruz, Theo Eastwind, and newcomers You Bred Raptors. ”

“The A.V. Club sees thousands of band names every year, and we don’t notice most of them. We keep a list of the ones we do notice, either because they’re funny, bad, cheesy, so mundane they’re transcendent, or otherwise memorable.”

“We found 23 talented NYC street performers for the Stars of the Streets contest. The fans have spoken and the verdict is in: You Bred Raptors?—a group of local musicians—has been voted as the top street performer in Manhattan. Without further ado, we introduce the contest winners:”

“A QUEENS band is trying to avoid musical extinction by taking their strange act underground. Astoria group You Bred Raptors? is slowly gaining notoriety playing in subway stations with the MTA’s Music Under New York program. But getting jaded straphangers to take notice requires something truly peculiar. The duo of bassist Peat Rains and drummer Zach Schmidlein dress up in forest green, skin-tight dinosaur shirts with beaked masks. To add to the spectacle of watching two grown men thrash about dressed like ancient reptiles, Schmidlein puts his Hunter College music degree to work on the keys of a Kinderklavier, commonly known as a toy piano.”

“The band deploys a rich catalogue of experimentations ranging from unique orchestrations to ambitious takes on some familiar patterns as varied as funk, metal or even celtic rhythmics – all served by a cast of drums, cello, 8-string bass & the occasional keys, bearing freakish masks from ghostface to grimacing jester. A tastefully weird, out-of-time local gem straight from the city’s underground…”

“Three masked men from Astoria that make beautiful instrumental music. Also, they are cognizant of the state of bands nowadays. As well as the potential threat of dinosaur cloning.”

“On Thursday July 26th, I headed into Brooklyn to see one of my favorite New York City bands, You Bred Raptors?. You Bred Raptors? was joined by a couple of jugglers and they did not disappoint. The masked trio ripped it with hard bass riffs, killer drums, and a badass cello. Awesome.”

“You Bred Raptors? are a trio of modern-day minstrels and dinosaur aficionados, with a long-standing tradition of playing in NYC’s finest subway stations. Jamming on drums, cello, and an electric 8-string bass (woof! ), these guys compel large groups of cynical and tired New Yorkers to slow down on their treks from one train to the next so they can bathe in YBR’s funky goodness. (Um…you know what I mean.) More impressively, they manage to charm us out of our hard-earned coin, which is no mean feat when it comes to all us jaded straphangers.”

“Having a live band (You Bred Raptors?) at all performances encourages the audience to interact with the actors and players in a way that is very personal and sometimes unnerving. The audience will be setting the pace for the entire show and will decide where and when things will reveal themselves. ”

“I was truly blown-away by their music. Beautiful, haunting, melodic yet intricate. At one point the bassist, Peat, used a violin bow on his bass and the result was beautiful.”